19 January – 25 February 2012

STEVENSON is pleased to present a solo exhibition by Viviane Sassen, her second at the gallery following Moshi in 2010. The show brings together photographs from her recent Parasomnia series and some from her previous series, Flamboya.

Sassen spent her childhood years in East Africa. She describes that, on her family’s return to the Netherlands, she felt like a foreigner in her homeland but knew that she had also been an outsider in Africa. Parasomnia animates these feelings of dislocation between home and away, night and day, life and dreams. The series comprises photographs taken in West and East Africa over the past two years, as well as a few taken in Europe, which frame her enigmatic and often haunting narratives.

As a New York Times critic recently noted (in a review of the Museum of Modern Art’s New Photography exhibition), Sassen’s images ‘convey how strangely vivid and tantalizingly sad the world can seem to a mind and eye divested of the usual filters of perception’. Her photographs constantly disrupt our usual perceptions because some are carefully constructed while others are incidental scenes she encounters on her travels, leaving us unsure which are her imaginary fictions and which scenes from life. Her distinct visual language is articulated by a deep awareness of the formalist concerns of painting, sculpture and photography, as well as an acute sense of colour and the optical resonances of pattern and design.

The exhibition is accompanied by her latest book, titled Parasomnia (published by Prestel, 2011, and featuring a short story by Moses Isegawa). This book follows Flamboya (first published by Contrasto in 2008) which has been widely acclaimed.

Sassen was born in 1972 in Amsterdam, where she now lives. She first studied fashion design, followed by photography at the Utrecht School of the Arts (HKU) and Ateliers Arnhem. Her work was first published in avant-garde fashion magazines and is regularly commissioned by prominent designers. She was awarded the Dutch art prize, the Prix de Rome, in 2007, and in 2011 won the International Center of Photography in New York’s Infinity Award for Applied/Fashion/Advertising Photography. She is one of six artists selected for the 2011 New Photography exhibition at the Museum of Modern Art in New York. Solo exhibitions have taken place at FORMA in Milan (2009) and FOAM in Amsterdam (2008), among other venues. Recent group shows include No Fashion, Please! Photography between gender and lifestyle at the Vienna Kunsthalle (2011); Figure and Ground: Dynamic Landscape at the Museum of Contemporary Canadian Art in Toronto as part of the Contact Photography Festival (2011); and the 2010 Brighton Photo Biennale, curated by Martin Parr.

© Eggleston Artist Trust. All rights reserved.

William Eggleston is widely recognized as a master of color photography, a poet of the mundane, and proponent of the democratic treatment of his subjects. His inventive use of color and spontaneous compositions profoundly influenced the generation of photographers that followed him, as well as critics, curators, and writers concerned with photographs.

This exhibition includes more than two hundred photographs, the artist’s little-known video work Stranded in Canton, his early black-and-white photographs of the sixties, and the vivid dye-transfer work of the early seventies, as seen in the Museum of Modern Art’s landmark catalogue of 1976, William Eggleston’s Guide. Highlights from the last twenty years includes selections from the Graceland series and The Democratic Forest, Eggleston’s great, dense anthology of the quotidian. The exhibition includes a special selection of recent work taken in Los Angeles. LACMA’s curator of the exhibition is Edward Robinson, Wallis Annenberg Photography department.

William Eggleston: Democratic Camera was organized by the Whitney Museum of American Art, New York, in association with Haus der Kunst, Munich. The Los Angeles presentation was made possible by LACMA’s Wallis Annenberg Director’s Endowment Fund, The Jonathan Sobel & Marcia Dunn Foundation, the Eggleston Artistic Trust and Cheim & Read.

Exhibition-related programs are supported in part by a generous gift from the Photographic Arts Council and by the Ralph M. Parsons Fund.

William Eggleston: Democratic Camera—Photographs and Video, 1961–2008
October 31, 2010–January 16, 2011

Los Angeles County Museum of Art
12-8 M/T/Th – Closed Wednesday – 12-9 F – 11-8 S/S
5905 Wilshire Blvd – Los Angeles California 90036