Viviane Sassen “Parasomnia” exhibition

Art, Event, Photography

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19 January – 25 February 2012

STEVENSON is pleased to present a solo exhibition by Viviane Sassen, her second at the gallery following Moshi in 2010. The show brings together photographs from her recent Parasomnia series and some from her previous series, Flamboya.

Sassen spent her childhood years in East Africa. She describes that, on her family’s return to the Netherlands, she felt like a foreigner in her homeland but knew that she had also been an outsider in Africa. Parasomnia animates these feelings of dislocation between home and away, night and day, life and dreams. The series comprises photographs taken in West and East Africa over the past two years, as well as a few taken in Europe, which frame her enigmatic and often haunting narratives.

As a New York Times critic recently noted (in a review of the Museum of Modern Art’s New Photography exhibition), Sassen’s images ‘convey how strangely vivid and tantalizingly sad the world can seem to a mind and eye divested of the usual filters of perception’. Her photographs constantly disrupt our usual perceptions because some are carefully constructed while others are incidental scenes she encounters on her travels, leaving us unsure which are her imaginary fictions and which scenes from life. Her distinct visual language is articulated by a deep awareness of the formalist concerns of painting, sculpture and photography, as well as an acute sense of colour and the optical resonances of pattern and design.

The exhibition is accompanied by her latest book, titled Parasomnia (published by Prestel, 2011, and featuring a short story by Moses Isegawa). This book follows Flamboya (first published by Contrasto in 2008) which has been widely acclaimed.

Sassen was born in 1972 in Amsterdam, where she now lives. She first studied fashion design, followed by photography at the Utrecht School of the Arts (HKU) and Ateliers Arnhem. Her work was first published in avant-garde fashion magazines and is regularly commissioned by prominent designers. She was awarded the Dutch art prize, the Prix de Rome, in 2007, and in 2011 won the International Center of Photography in New York’s Infinity Award for Applied/Fashion/Advertising Photography. She is one of six artists selected for the 2011 New Photography exhibition at the Museum of Modern Art in New York. Solo exhibitions have taken place at FORMA in Milan (2009) and FOAM in Amsterdam (2008), among other venues. Recent group shows include No Fashion, Please! Photography between gender and lifestyle at the Vienna Kunsthalle (2011); Figure and Ground: Dynamic Landscape at the Museum of Contemporary Canadian Art in Toronto as part of the Contact Photography Festival (2011); and the 2010 Brighton Photo Biennale, curated by Martin Parr.

Guy Bourdin exhibition at Michael Hoppen Contemporary

Event, Fashion, Photography

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Pentax Calendar 1980 © Guy Bourdin


Guy Bourdin Archives, January 1978.


Pentax Calendar 1980 © Guy Bourdin

From 02.02.12 till 10.03.12

Guy Bourdin, born in Paris in 1928, was one of the most radical and influential fashion photographers of the twentieth century. His unique blend of surreal and erotic imagery filled the pages of international magazines such as French Vogue during the 1970s and also became synonymous with the revolutionary advertising campaigns for Charles Jourdan. Rejecting the typical ‘product’ shot in favour of staging unsettling scenarios that hint at consumption, sex and desire, his photographs sought to shock and play on viewer’s curiosities.

This exhibition introduces rarely-seen before, limited edition work of some of his most captivating images – including a selection from his renowned series for the Pentax Calendar of 1980. Michael Hoppen Gallery is the exclusive representative of the Estate of Guy Bourdin.

Paolo Roversi exhibition at The Wapping Project Bankside

Event, Photography

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Guinevere sitting on table, Paris 2004

03 February – 31 March 2012

Paolo Roversi is one of the most esteemed fashion photographers currently working. His preference for work in his Paris studio, a backdrop of a ragged grey blanket, bare timber boards and a selection of beaten up chairs and stools providing the only set required by Roversi, has enabled photographs which; in the most minimal way, catch the heart and mind of his subjects. For his first solo exhibition at The Wapping Project Bankside, Roversi has focussed on his much loved studio and his muse Guinevere, a selection of photographs which includes material from both the celebrated Nudi and Studio series.

Born in Ravenna in 1947, Paolo Roversi has collaborated with Comme des Garcons, Yohji Yamamoto, Yves Saint-Laurent, Christian Dior, Valentino and many more influential designers. His work has been exhibited in museums and galleries worldwide, including the Metropolitan Museum, New York, the Hara Museum, Tokyo; Centre Pompidou and Maison Européene de la Photographie, Paris; the Guggenheim Museum, New York and the National Portrait Gallery and Victoria and Albert Museum, London.

Haunted Air, Anonymous Halloween photographs from 1875–1955

Book, Photography

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Haunted Air
Anonymous Halloween photographs from c.1875–1955—truly haunting Americana, with a foreword by David Lynch

The roots of Hallowe’en lie in the ancient pre-Christian Celtic festival of Samhain, a feast to mark the death of the old year and the birth of the new. It was believed that on this night the veil separating the worlds of the living and the dead grew thin and ruptured, allowing spirits to pass through and walk unseen but not unheard amongst men. The advent of Christianity saw the pagan festival subsumed in All Souls’ Day, when across Europe the dead were mourned and venerated. Children and the poor, often masked or in outlandish costume, wandered the night begging ‘soul cakes’ in exchange for prayers, and fires burned to keep malevolent phantoms at bay.

From Europe, the haunted tradition would quickly take root and flourish in the fertile soil of the New World. Feeding hungrily on fresh lore, consuming half-remembered tales of its own shadowy origins and rituals, Hallowe’en was reborn in America. The pumpkin supplanted the carved turnip; costumes grew ever stranger, and celebrants both rural and urban seized gleefully on the festival’s intoxicating, lawless spirit. For one wild night, the dead stared into the faces of the living and the
living, ghoulishly masked and clad in tattered backwoods baroque, stared back.

The photographs in Haunted Air provide an extraordinary glimpse into the traditions of this macabre festival from ages past, and form an important document of photographic history. These are the pictures of the dead: family portraits, mementoes of the treasured, now unrecognisable, other. Torn from album pages, sold piecemeal for pennies and scattered, abandoned to melancholy chance and the hands of strangers.

Jamie Hawkesworth

Photography

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Jamie Hawkesworth and Smile and show your teeth.

Image System – Geoffroy de Boismenu

Event, Photography

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Image System, Geoffroy de Boismenu – 72 polaroïds / USA 1993-1995

Image System is the name of the Polaroid Camera that Geoffroy de Boismenu used while he lived in the US, in the 90’s. With it he gathered a collection of hundreds of snapshots, that he edited 15 years later. His vision of a chaotic country is emphacized by the layout. Because of the size of the book, the reader looses the scale of the polaroids, but is charmed by the uniqueness of this now-considered vintage technic.
co-published with Janvier

148 pages
72 color photographs
19,3X31,6cm
Soft Cover Publication
date: Jully 2011
ISBN: 979-10-90306-01-1
Price: 35€

Available for purchase over at RVB Books

Book signature Thursday October 13rd from 7pm to 10pm
at Le Bal Book,
6, Impasse de la Défense 75018 Paris

Helmut Newton, Polaroids

Book, Fashion, Inspiration, Photography

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A collection of Helmut Newton’s test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when “instant photography” meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition “Helmut Newton Polaroids” at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

€ 39.99 over at Tashen’s

Mitch Epstein

Photography

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One of the photographs from Mitch Epstein’s Prix Pictet winning series, American Power Photograph: Mitch Epstein – 2011 Prix Pictet

Ian Berry / This is Whitechapel

Photography

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Whitechapel, 1972 Photographed by Ian Berry/Magnum
Visit Ian Berry’s exhibition at the Whitechapel gallery 11 March until 4 September – Gallery 4.

Format

Photography

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FORMAT 2011, the UK’s leading international festival of contemporary photography and related media today
announces its full programme for its 5th edition, taking place at various venues in and around Derby, 4th March – 3rd April 2011. This year’s festival, curated by Louise Clements around the theme Right Here, Right Now: Exposures from the public realm, explores the resurgence of street photography — put simply, photographs taken in public places. Presenting more than 3,000 works by over 300 artists of international significance, FORMAT11 will provide the most comprehensive survey of street photography ever seen.
The Festival will show curated exhibitions and new commissions by leading international artists within the practice of street photography. In a unique commission for FORMAT11, esteemed Magnum Photographer Bruce Gilden turned his lens on the people of Derby, creating a fascinating portrait of the city’s people in Head On 2010, which will be shown at Derby Museum & Art Gallery.
Outside in Derby Marketplace, Magnum Photos and FORMAT in association with Photography Archive, Birmingham Library and Archive Services, will present Take to the Streets — a major outdoor survey show of 140 large-scale street photos by seven leading Magnum photographers working around the world: Constantine Manos, Richard Kalvar, Raymond Depardon, Chris Steele-Perkins, Bruno Barbey, Trent Parke and Alex Webb.
For more information please click Format Festival